Earlier this year we were honoured to work with the Netherlands Institute for Art History (RKD) to develop a prototype site for them to allow online access to some of their magnificent artwork collection. Located in The Hague, the RKD is home to the largest art history center in the world, specializing in documentation, archives, and books on Western art from the late Middle Ages until the modern era. Much of their content has been digitized and is available on the RKD website, with their main aim being to collect, categorize, and make art research available, most notably in the field of Dutch Masters.
The prototype site developed by Armadillo uses iNQUIRE, our digital discovery framework, to deliver a fast and fluid search and discovery experience. The site makes use of extensive facet and tag based searching in both Dutch and English. Naturally the site also leverages the IIIF Image API.
Robert Hooke’s Micrographia (1665) is one of the most iconic books in the prestigious collections at the Royal Society. It gives the reader a glimpse in to the field of microscopy, which was rapidly developing at the time. Micrographia or, to give it its full, less succinct name, some Physiological Descriptions of Minute Bodies made by Magnifying Glasses, with Observations and Inquiries thereupon, is written and illustrated with 38 intricate copperplate engravings, to this day the volume remains a landmark in the history of microscopy. Hooke was the Royal Society’s Curator of Experiments at the time, and describes in an engaging manner how he used his microscope to discover the detailed structure of rocks, plants and, most famously, insects. The Royal Society’s first edition was given a much needed restoration in 2019.
This week the Royal Society is broadcasting their Summer Science Online programme which celebrates science from home. Armadillo Systems are very proud to announce that the opening presentation from this event is the digital version of Robert Hooke’s Micrographia using our Turning the Pages Online application. This digital version allows you to turn the pages of the original book, and expand the fold out pages to reveal the incredible illustrations.
The Summer Science Online video presentation can be viewed by clicking the video link below. The Royal Society’s Digital Resources Manager, Louisiane Ferlier, gives an in depth introduction to the book, why it was so significant at the time, and how it’s still relevant today.
Timed to coincide with their Admission Day 2019, where their newly-elected Fellows will be admitted, the Royal Society have launched a Turning the Pages version of the very special book that sits at the heart of the ceremony. The Charter Book is arguably the Society’s most important historical document, initially created in 1663 after King Charles II granted a second Royal Charter to the organisation, establishing the structure of the Society. Bound in crimson leather with gilt clasps and corners the magnificent vellum folio has recorded the signatures of new Fellows and Foreign Members as they were elected year by year, as well as those of Royal Patrons, with the first signature recorded on its pages on 9 January 1665.
The online Turning the Pages edition facilitates a unique opportunity to browse through what must be the world’s most amazing collection of scientific autographs, giving a faithful reproduction of each one of the pages signed between 1665 and 2018. This particular Turning the Pages features an index of the signatories which has been added to facilitate navigation, allowing you to quickly locate which page your favourite scientist has signed their name.
This summer saw the grand opening of the newly constructed Diamond Jubilee Galleries at Westminster Abbey. Built at a cost of £22.9 million the new gallery space sits high above the Abbey floor, in the beautiful 13th century triforium. On display are some of our greatest treasures which tell the story of a thousand years of British history.
Armadillo Systems were tasked with creating a Turning the Pages Gallery version of The Litlyngton Missal, this missal was commissioned by Abbot Nicholas Litlyngton for use at the Abbey’s high altar and was made at Westminster between 1383 and 1385. The text and illumination (decoration using gold leaf and colour) took three unnamed artists and scribe two years to complete. This Turning the Pages features a custom user interface themed specifically for the new gallery, and specular highlights on all the pages, due to the extensive amount of gold leaf throughout the book.
Opened by Her Majesty The Queen, the new galleries are spectacular and definitely worth a visit, even the access to them is remarkable. A new seven storey tower (the Weston Tower) was built just outside Poet’s Corner, it conceals a lift shaft and spiral staircase, connecting to the building by a bridge. It’s so discreet and perfectly integrated in to the existing structure of the Abbey you might not even notice it if you were walking by.
One of our all time favourite medieval books we have made in to a Turning the Pages is Andreas Vesalius’ De Humani Corporis Fabrica (On the Fabric of the Human Body) which you can view online, or at the British Library as a Turning the Pages Gallery kiosk.
The book is one of the most influential works in the history of Western medicine. Vesalius was both a gifted dissector and a learned scholar, by collecting and presenting his research in De Fabrica he created the modern science of anatomy. The book was published in 1543, with more than 600 pages of text and beautifully detailed engravings by artists from the workshop of Titian. Looking at the engravings of the skeletons and muscle men, set in lifelike poses against the backdrop of the Italian countryside of Padua, you can see the obvious lasting influence of the book, right up to the present day with exhibitions such as Gunther von Hagens’ Body Worlds.
You can watch a short video capture of the interactive kiosk on our YouTube channel:
Stained glass windows are beautiful and striking features of many churches, mosques, libraries and other significant buildings. They are also wonderful feats of skillful artistry and engineering, often depicting important events in religion, history, science and art. Have you ever seen one, admired its beauty, but wondered what was the cultural significance the scene being depicted? They can be hard to explore and examine in detail in situ in their parent building.
University College Cork (UCC) have one such window dedicated to George Boole, one of the fathers of the information age, where he was a professor. UCC approached Armadillo Systems to see if there was a way of making their window into an explorable and explanatory touchscreeen interactive. Turning the Pages technology is ideally suited to this, as it can also be used for flat objects. We added in a custom hotspot highlighting system so each pane of the window could be examined individually, with the app also having associated media relating to George Boole’s impact on modern society, and details on the preservation of the window itself. Watch the below video to see the interactive window application in action.
The Saint John’s Bible is now publicly on display in a dedicated gallery located on the lower level of Alcuin Library on the Saint John’s University Campus. The gallery has free admission and features 28 original folios showcasing works from all seven volumes of the Bible. There are also other rare books and manuscripts from the Hill Museum & Manuscript Library collections on display to complement the exhibition of the folios. Tools, materials and sketches used in the production of The Saint John’s Bible give an insight in to the processes used to create this colossal work of faith and art, as well as an interactive video player, created by Armadillo, which allows you to meet the team behind the project.
The Bodleian Library have launched their new unified digital collections platform, Digital.Bodleian, powered by iNQUIRE. For the first time, it is possible to search and browse the Bodleian’s online special collections via a single interface. The site was launched at an event in the new Weston Library, with a lecture by Bruno Racine, president of the Bibliothèque nationale de France (whose Gallica is a well-established giant of digital library collections), and a speech by BDLSS’s own Lucie Burgess. Go and have a have a look at the Digital.Bodleian website!
eBookTreasures is a collection of the greatest books in the world, made available as digital facsimiles. Initially this is for iPad, but we’re looking at other platforms as they emerge. We’re working with the British Library, Royal Society, Natural History Museum and many others to bring you these rare and beautiful books. Find out more on the eBookTreasures website or Download the iOS app from iTunes here.
We launched one of the first Windows 8 Store apps in the UK to showcase all of our eBookTreasures. Tilt a tablet and the gold catches the light, use a stylus to annotate the pages. You can Download the Windows app here!